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24 April, 2017

The 81s: Big Man

The 81s: Big Man (a review)

By: Moose


            This album centers around two ideas: The first putting poetry to music and the second putting said poetry to music via the platform of garage rock with a hint of Velvet Underground and Nico. Exploring these two ideas are the writer/lyricist Tom Siering and musicians Tim Carroll and Luella. This album “Big Man” is there second under The 81s. They are not a band in the traditional sense this is more of a project for everyone involved, where Tom presents the lyrics, and Tim and the other musician’s work on the music, putting it simply.  
           
            The album revives a sound that was or isn’t necessarily dead, but more like gone underground. Basically, you don’t hear this sound in the mainstream. Through my first listen this feels like a 90’s album. Harkening back to the days of Freddie Jones Band and Screaming Trees, only add a woman. These are comparisons, because I feel like Tim Carroll (guitars, keyboards, vocals), Luella (Vocals, Tambourine, bells), Cameron Carrus (bass), and Marco Giovino (drums) took Tom Siering’s words and wrapped them around a sound that was meant to be a little more heavy and raw. Considering how Nashville likes to pretty things up these days I think these folks took some words and wanted to do something a little different, and yet also tip the cap to the folks that walked the rock and roll wire before them, and even paved a way.

            I had a recent conversation through email with Tim, Tom, and Luella, and basically this “project” was as simple as this according to Tim “Tom likes to write lyrics and I like to play rock and roll guitar. Doing that inspires us.” Tim wrote all the music, and the vibe throughout the record is just a straight rock and roll record. Some songs yes, sound like Velvet Underground, but that was more by happenstance than setting out to do so. For all musicians and artists have influences, and sometimes a song may sound like this somebody or that somebody but in the end it is you that is playing it, and making that music. And, from what I have gathered from Tim, Tom, and Luella was that this was simply that. Creating a sound that revolved around Tom’s lyrics. I enjoyed the listen I had with this record. The second and third, and through the fourth I heard different sounds or words than before. Initially wasn’t quite sure what was going on, what were or are they trying to get across, and through the listens I found my answers. Which were simply to put music to these lyrics that reference Melrose Place and Manute Bol. If you are not sure who Manute Bol was, look him up. His story is quite amazing. The name “Big Man” comes from a basketball term for the center, and the title track revolves around the great centers of yore. For me I think this was the first time I had heard in song a reference to Manute Bol, which I enjoyed along it with being a great way to close out a great album.
           
            At the risk of repeating myself I think this a great record. The players on it are pretty damn great, and it is just a fun rock and roll record. I dig the rawness of it, and kind of the middle finger to the prettiness that can happen through mainstream music. I could dissect the album as well and go track by track and word by word, but while that  would be fun for me at some point it would just get to the brass tacks of: if you dig rock and roll give it a listen, put in your car, and take a drive somewhere that you have no destination in my and give it the 45 minutes it needs to explain its story.

            I’d like to close it out with the question that I like to ask everyone I do this for, and that is why music? Why this, of all things to do? And the following are Tom Siering, Tim Carroll, and Luella’s answers.

Luella: I’ve done music ever since I was a young child. It’s my primary language to communicate. Through it I feel like I am maximizing my potential on this earth. Also if we are lucky, we may move and inspire someone through it. Art lives on past us. I do it for myself and if it resonates with others too then that’s fantastic…especially rewarding.

 Tom: That famous punker Friedrich Nietzche said “Without music, life would be a mistake.”

Tim: I’ve been playing guitar in bands on and off ever since I was a little kid. I guess it’s just because I like it, and I follow my interest in it. And now that I’m getting better at it, I enjoy it more than ever.

You can find the record and all things 81s via the worldwide web at:


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