the strangest of things unseen
blend with the newness that spring brings
And i tap to bottomless beats
Where my sisters and brothers walk streets
The strangest of things take refuge on broken television screens
The strangest of things unseen reside in broke down trash can alleys
May the weak
The meek
The poor
The fat
The skinny
The broke down
Run down rags rise and be seen
Scream with voices unheard and unseen
Where once solitude reigned as king
Bellowing the battle of cry of freedom has captured solitude in a coup de tat.
The strangest of things unseen take hold in words yet read
They fight the things unseen
The strangest unseen things fire off in universes far beyond the way of the Milky
Where wars rage for peace
Where utopian ideals are preached
Where destinies are written in pages by tormenting Gods
Ah the things unseen
Like a Shakespearian comedy you plague our hearts so
Where the knife in the back is as lovely as the kiss on the cheek
For the weak and disbanded gather in mass
For their rightful return to take back what was lost centuries ago
Yes, the things unseen remain to the maybe
That maybe being an eventual return to light
To sound their voice
The strangest of things unseen
Blend with the newness that spring brings
And that is where doors open or close
And that is where the muse rests her tired bones
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06 May, 2016
Juliet & Death
Juliet don't hang your head so low
Where Romeo's flown you soon shall know
The moon's shine is blinding on this night
And try as you might why else shall you fight?
Don't flail in the wind
And don't bellow to the skies
For Romeo's flight has sailed away
Juliet let slip your hands to the end
For where else shall you go now that family disgrace has come to bare?
Juliet, i sit here beside your Romeo
We converse about the love in your hearts
We converse about the fire that resides inside you both
That, upon your tongues you can still taste each other
Upon your skin you can still feel the hairs on his arm
And where shall you go from this place?
Where shall you go in this world of torment and doom?
Your love awaits you
Your Romeo sits beside me basking in the glory that is your fate
Oh Juliet, for your own eyes can see the way
Oh Juliet, take refuge within your heart of hearts
And where your Romeo persists
We shall see you in a moments time
As the wind sighs from the east
You shall be beside your Romeo
For eternal peace
Where Romeo's flown you soon shall know
The moon's shine is blinding on this night
And try as you might why else shall you fight?
Don't flail in the wind
And don't bellow to the skies
For Romeo's flight has sailed away
Juliet let slip your hands to the end
For where else shall you go now that family disgrace has come to bare?
Juliet, i sit here beside your Romeo
We converse about the love in your hearts
We converse about the fire that resides inside you both
That, upon your tongues you can still taste each other
Upon your skin you can still feel the hairs on his arm
And where shall you go from this place?
Where shall you go in this world of torment and doom?
Your love awaits you
Your Romeo sits beside me basking in the glory that is your fate
Oh Juliet, for your own eyes can see the way
Oh Juliet, take refuge within your heart of hearts
And where your Romeo persists
We shall see you in a moments time
As the wind sighs from the east
You shall be beside your Romeo
For eternal peace
Katie Garringer: A Little Soul Medicine
Katie Garringer: A Little Soul Medicine
By: Moose Gronholm
Katie Garringer is a songstress who resides in Muncie, IN and comes down to our Queen City to play shows every so often, and is currently getting ready for a big move to the Big Apple. Before the move however she would like to share her latest recordings with us. Six songs worthy of what my ears thought were a sheer pleasure to listen too. She has a voice that can shake and chill you to the bone, and her playing is equally as chilling. Dave Manship from Beltauer Studios in Daleville, IN was the one who recorded the songs and captured the chill and the shake. There are a few pleasantries we must take care of first however before we delve into the songs.
Katie started playing music at a young age growing up with a piano in the house and parents that were constantly singing she couldn’t escape it. So at 5 years old she decided to give this whole thing a whirl, but her mom made her wait until she was seven to start lessons. The main reason for making the decision on wanting to play was not for fame or fortune, but for a reason more simple a reason more humble. At family gatherings her grandparent’s, on her mother’s side, would both take turns at playing the piano and the entire family would sing along. Mostly gospel hymns, and Katie wanted to be a part of that, and not just in the singing but to be the one who plays the piano at the family gatherings. As time progressed it was only natural that Katie’s biggest supporters would be become and remain her parents. Her influences run across a broad spectrum as most musicians have them being; Dolly Parton, Ingrid Michaelson, Josh Ritter, and Brandi Carlisle. Her creative influences are: Maya Angelou, Madeleine L’Engle, and Bob Dylan. Through most of the songs whether it be the playing, a lyric, or the way her voice hangs on you can hear these influences melded into a blender and out with them came Ms. Garringer.
As mentioned before there are six songs on this ep and each wrap around a feeling whether literal or figurative about love. Two in particular “Bonnie and Clyde” and “Who Do You Think You Are,” are about in her words “I was madly in ‘like’ with someone new” that being “Bonnie and Clyde” and “Who Do You Think You Are” is about the same person post break up. She has always again in her words “loved, ‘love’” but her intention was to write about everything but love, and over the course of a year and half roughly of writing these songs she realized early on that this might not be possible. Again Katie “While all the songs I write are not about love, the majority of the ones on the EP definitely are.” You write what you know, and you write what you feel at the time. Which makes this EP an honest reflection of a life being lived, and where the road has gone and where it may be leading to, and only she knows. Her story however, begins with this EP and she is kicking it off in great fashion.
With the EP done she will be returning to the studio to record a second in New York City with a friend of hers that plays cello. She said that a full album will come after EP 2 is finished. With a move to the Big Apple happening over the spring, a Midwest tour, and the EP release party happening in her hometown of Muncie, Indiana a full album has been put on the back burner. She said all of this with exclamations points and the excitement was palpable, even if through email.
The last question I asked Katie was what I always like to ask musicians that I talk to and that was why music? Of all things to do why this and her response was pretty damn good so I will let her close this out. Here is her answer: That’s a doozy of a question (with) so many emotions. I’ve always known that the way I communicate best is through writing, and playing music, rather than speaking. I feel like I am the best version of myself when I play music, and the connection that occurs with the folks that listen is palpable, and powerful. I believe that everyone is struggling with something in life, and that music can be an effective remedy, or at least a distraction from what is ailing them. My main motivation in playing music is to positively affect those who are listening and to give them a little soul medicine. While I love to play music for others, I also play and write for myself. I’ve overcome some pretty serious trial in my life by writing about what’s going on, and I can’t imagine being the person I am today if it weren’t for the healing power of music. I can’t imagine doing anything else with my life.
22 April, 2016
The Crow's Nest
The Crow’s Nest: If You Think It’s Dead in Here Look Across the Street
By: Moose Gronholm
It was the fall or spring; I cannot remember which one as this period of time is a jumbled mess, of 2006 when I first walked into The Crow’s Nest. Up until this point I had been to many a bar in Chicago, my hometown, but my younger brother had made the move to Cincinnati and found a place with our cousin on Nebraska and Roth courtesy of the west side. Conveniently enough, at the end of the street and on the corner was this bar called The Crow’s Nest. I was in for the weekend visiting, and I know we went up there later in the evening and I am sure there was probably somebody playing some music. But what I remember most and what has stuck with me after these ten years is the vibe it gave off.
Maybe there is something in the water out on the west side that makes this place feel like home? Maybe it is because the west side is like a small town where everyone knows everyone and that can be both good and bad at times. Maybe it is just the sheer fact that these people, these friends, that have been coming to The Nest far longer than me mind you, are some damn good people. I was not obviously alive in 1896 when it opened, but I am going to take an artistic liberty and assume that nothing much has changed in the vein of it being a neighborhood bar; the road out front and the scenery inside have probably undergone the most change. But, The Nest for me at least has always seemed to have this neighborhood vibe to it. Everyone knows each other in some form or another, and that has carried on and I would venture a guess and say probably since it has opened as well.
The Crow’s Nest opened up in 1896 and was owned and operated by John Crowe. In 1921 though things changed even the name which from 1896 to 1921 it was called John Crowe’s Roadhouse, and after the change of ownership The Crow’s Nest (which is a naval term for where the lookout would sit. It was kind of like a wood basket that was connected to the main mast of the ship. The lookout would sit there and holler out instructions, obstacles, or land ahead) was changed to and has held onto that name ever since. There have been changes of ownership over The Nest’s long life, but the building has remained and since 1921 so has the name. The name suits the place when you think of the literal definition of a “crow’s nest.” The building sits on the corner of West 8th and Nebraska, and seemingly keeps watch on the west siders coming home or going to work or school. Along with that it also keeps watch over the dead. Yes, you fair reader read that right that was not a typo. See across the street sits St Joseph Cemetery, and when I say across the street that is exactly what I mean.
One could say The Nest looks over the dead, and you would not be wrong as the building again is right across the street from the cemetery. But sometimes those lines blur, and the dead make their way into the bar. There is an array of differentstories from the staff pertaining to these occurrences. Things placed where they shouldn’t be while a cooler door closes, and I’ve heard bartenders speak of a strange vibe when going into the basement. I personally have stayed late with one of the bartenders because the night per the “spirit” had just been too strange to bear for this bartender. There is even a sign that is sort of a joke about the bar that reads: If you think it’s dead in here look across the street.
While across the street may lay the un-living inside of this building the energy is palpable and intensely alive. The Crow’s Nest has become a place where music thrives and all levels of talent are welcomed, and I personally have witnessed bands form, and bands get their start here. Everyone from Ben Knight to The Tillers. Due to the fact that currently every Tuesday night the Open Mic hosted by Sean Geil of those Tillers, has brought out some amazing musician’s the caliber of talent that graces the open mic nights has been impressive at best. The open mic dates back to at least 2006, when a fella by the name of Captain Mike used to run it. Even then, the caliber was still amazing. Possibly due to the fact of who was bartending Adam O’Neil and Matthew Wabnitz started bringing up their friends. From that moment onward it has changed. These are just my opinions, because this is what I remember as I have been coming up here since 2006. In all honesty, nothing much has changed. Other than friends getting married, friends having kids, or both, and friends moving on but remains is The Crow’s Nest, the beacon of the west side.
The building has become a second home for me. I have met and made friends with some amazing people all due to the music and The Crow’s Nest. I am in the band that I am in because of The Crow’s Nest. I have ten year friendships with two of the bartenders because of The Crow’s Nest, and 7, 6,5, or 4 year friendships because of The Nest, and why? Strictly because of the music that has passed through the doors, and the water that resides on the west side.
The Crow’s Nest sits at 4544 West 8th Street, Cincinnati, OH 45238. It is the tallest building on the street, and like any Irish bar is welcoming to anyone that simply would like to have a good time with some good people. There are no grand words to close this out. No big ideas or overly dramatic sentences to describe The Crow’s Nest, no, you fair reader simply need to come out and experience it for yourself. And when you do, if you think it’s dead in there, well, look across the street
Upon The Shelf
Upon shelves do these lives sit
They stare at me for hours on end
Some days with contempt in their eyes
And on other days they smile with content
Upon these shelves we leave our memories
To remember what once was
Upon these shelves the dust settles in
Upon those same memories that once were
Upon these shelves stories sit patiently
Until they get their day to have their pages turned
Upon the shelves heroes remain stoic as relics
Shelves of fame hold their namesakes.
Upon these shelves i gaze in wonder
With starry eyed eyes i choose wisely
No adventure is the same
And upon these shelves adventures remain
Upon these shelves the stories remain
Upon these shelves these lives remain
Upon these shelves the memories lay
Upon these shelves wonder stays for another day
They stare at me for hours on end
Some days with contempt in their eyes
And on other days they smile with content
Upon these shelves we leave our memories
To remember what once was
Upon these shelves the dust settles in
Upon those same memories that once were
Upon these shelves stories sit patiently
Until they get their day to have their pages turned
Upon the shelves heroes remain stoic as relics
Shelves of fame hold their namesakes.
Upon these shelves i gaze in wonder
With starry eyed eyes i choose wisely
No adventure is the same
And upon these shelves adventures remain
Upon these shelves the stories remain
Upon these shelves these lives remain
Upon these shelves the memories lay
Upon these shelves wonder stays for another day
14 April, 2016
Save Camp Springs
Save Camp Springs, KY
By:
Moose Gronholm
Keith Neltner amongst many hats that
he wears is an artisan and agriculturalist. He owns and operates his design
business and owns the tavern, along with his wife Amy. The farm is operated by
his brother Keith and their mother Claire all down in Camp Springs, Kentucky.
Keith messaged me a week ago about a battle that the town of Camp Springs is
having with the local governing bodies. One to not turn anything down I took to
the typed out word to fill you all in. If you have heard about what is
happening then Keith, and the many folks that live there, and myself simply ask
you to help raise your voice in unison to stop what is happening.
What is happening? The residents of
Camp Springs are locked into an eminent domain fight. I am going to quote the
article that was shared with me from Keith Neltner which is from Preserve and
Protect Camp Springs (the local legal alliance that was formed in order to
defend themselves): “Camp Springs’ way of life and continued historical value
is in grave danger of complete erosion or extinction due to an uninformed and
destructive local government decision to place a raw sewer pipeline along the
Four Mile Creek without community support. This forced decision is causing the
residents, many who have been on their properties for generations, to defend
their rights through expensive legal proceedings and threat of imminent
domain.” That is the general message going out. We encourage everyone to make
the drive and visit Camp Springs.
I’m not one for soapboxes, but this
is a cause worth fighting for. This town has been around since the early 1800’s.
Folks come in the 10’s of thousands and from all around to visit during special
events, purchase agricultural products and services, and use its scenic routes
for bike rides and leisure drives to take in the beauty and wonder that is Camp
Springs. In an age where growth and technology are becoming ever more present,
the folks of Camp Springs are simply asking to have that growth and technology not
disrupt and destroy what they have been preserving for generations, and
generations to come.
The residents of Camp Springs are
asking for help to fend off the actions of Judge Executive, Steve Pendery and
the Sanitation District (SD1). They have set up a gofundme page, along with a
legal alliance aptly named “Preserve and Protect Camp Springs.” All monies
collected will go towards the cost of such extraordinary measures being carried
out by the SD1, as well as the attorney’s fees for said defense. Now the
attorney’s supporting the community have cut their rates dramatically to ease
the pressure on the residents.
In short, this community of
agriculturalists and artisans of all sorts need a little bit of help. Nobody
likes to have to go these extraordinary measures for help, but sometimes what
else is one left to do? The folks are not going to sit idly by and watch their
town be destroyed for a sewer line, and all they ask for is some help. This
weekend at the Camp Springs Tavern (7009 Stonehouse Road, Melbourne, KY 41059)
they will be hosting a little shin-dig. They are opening up the doors for whom
ever would like to come for a visit, to do just that. There will be a concert
and I will provide the acts at the end. Give these folks a helping hand. They
could sure use one. It’s not that often we have the opportunity to help a
community. In a lot of cases the town is bought and sold before the community
and residents can even process it. Here now we all sit for an opportunity to
help in any way that we can. Attend the concert Saturday April 16th,
or make a donation. One voice can roar, but together we can move mountains.
donate here: www.gofundme.com/savecampsprings
Spring
Celebration @ Camp Springs Tavern Saturday April 16th:
5:30 pm:
Hoot n’ Holler
with Chris Lloyd
7:30pm:
Todd Lipscomb
9pm:
Casey Campbell
BBQ sandwiches
and homemade pie will be available for purchase at Noon.
Great
selection of domestic, craft, and bourbon and more.
AGES 21+
09 February, 2016
Oh These Hearts
Oh these hearts
Oh the hearts of
men whose lashes from whips sting me so.
The daily grind of
my feet to my knees on this concrete floor
For fat rich men to
indulge most gluttonously in their fat and their rich
Plagues my heart
and wearies my soul.
Oh these hearts of
men whose shackles bind my own heart’s content
Where and how do we
go?
Where and how do we
get our chance at the fruits of a better life?
Work you say?
Get a job you say?
Fall in line and
take your turn on the assembly line parade
Revolving around
and around and around?
Your parents did it,
Their parents did
it,
And now, look at
you doing it too.
That 401k gets put
away.
That’s right, fall
in line and take your seat
For the rapturing
fate of this eventual demise will surely turn to a lullaby.
All this money, all
that means nothing,
For when I die will
any of this come with me?
For when I die will
any of these, things come with me?
For when I cease to
make another revolution on the endless cycle
Will the car, the
house, the computer, the phone, the 401k
Will any of this
come with me?
But fall in line
with these hearts of men they say.
Fall in step by
step and you too can achieve that GREAT AMERICAN DREAM!
To them I say,
NO.
To them I move
myself to a blasphemous rhythm
To them I play chameleon
To them I put on
the face
I put on the boots
and I come in.
Punch the time card
eight hours punch out.
I play the game
because I gotta keep the lights on right?
But what I have
inside of me
What dream lies in
wait that inspires me?
What feeling resides
inside of the depths of my sou?
I write right here
for the taking.
I get to do what I
love and I escape this machined existence.
I escape to the
hills, or the fields that reside in images that, like a blanket, cover my mind
and take me to a place where I can go,
For me,
For my own time
away.
Oh the hearts of
men that have made me wise
The ones that told
me don’t be like me
The one that gave
me the strength to defy this machined lullaby,
And the one that
continues to do so day in and day out.
I play your game with my steel toe boots laced
up,
Merely, simply, and
only because I have to
Not for want or
need, but for have.
Oh the hearts of
men release your shackle and fear
And live with the
compassion of billions of hearts and minds
See, listen, and
feel the words from your fellow brother and sister
Hear them listen to
them as they explain their disdain
For to blow us off
To bid no favor to
our voice
But most important,
To not do what is
just and right
Is a travesty that
far surpasses any moral comprehension?
Oh hearts of men
your fear plagues you so
Your fear has
infested your mind the way the beetle bores its way through the trunk of the
tree.
Your fear consumes
you the way the quicksand swallows all in its wake.
Fear can be
addressed this is true
Fear can be
grasped, this is true
Alas do not fear
what is just and what is right.
The compensation
for such awaits you in the end,
Sheer and unlimited
gratitude,
This holds no price
Has no value of
money
Knows nothing of
silver or gold,
And gives nothing
in return, other than tearful smiles.
Oh these hearts of
ours, we can end the fear through a smile
Oh these hearts of
ours, we can move MOUNTAINS of disgust
Oh the hearts of
us,
Let us live.
Let us breathe in
the night air
Let us be the folly
of our own emotion
Let us just live.
Oh the hearts of
us,
Together we can
mend un-sewn souls.
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